A few street portraits
This spring I went with my friend and fellow photographer Carrie to downtown Victoria. We were each armed with a camera. Our intention was to walk up to complete strangers and ask to take photos of them. That's something that takes practice, believe it or not. We were there for over three hours and we didn't get a whole lot of shots. But that was okay, we were just practising.
Years ago (I'm allowed to use "years ago" because it's already been two years since I moved to Victoria to get some schooling) my idea of comfortable street photography was to use the longest lens I could get, and to act like a sniper of sorts. Sure, the photos turned out candid enough, but there was always something lacking. I switched to a shorter lens, but my comfort level was non-existent, so I either shot from the hip or very quickly pulled the camera up to my eye, shot and hoped that I got something useful.
As for approaching people and asking them for permission or their name... I don't think so. Way too shy for that.
And now it feels silly to think that way, because what are they going to do? Break my fingers, kick my knees and eat me alive? Hardly. The worst thing that happens is that they say no. In fact, most people say yes, especially if you approach them with a smile and introduce yourself before asking. Prepare yourself and be ready with an answer for questions like "What are you going to do with them?" or "Why do you want to take a photo of me?" Even better, have a business card to give them.
I admit that this walking up to a stranger to photograph them still doesn't come naturally to me. I have to take a few deep breaths before I muster up the courage to approach people. But I'm getting better at it, and it's fun. I get to know them a little bit (some are chattier than others), and often I send them a copy if they just send me an email (that's where the business card comes in handy).
Since Carrie and I took this trip downtown in May I didn't do this again until late August. I intend to not wait three months until I do this again.
Playing with a light
I bought a book not long ago; OneLight Field Guide by Zack Arias. I'd been meaning to buy it for some time, and when I finally did, I was far from disappointed.
So after reading it, I went to the train tracks nearby to see if I had actually learned something. I took a camera, two lenses, a tripod, a stepladder, an umbrella, a monopod, a flash, a swivel head for the flash and the umbrella, an infrared transmitter, a model (my son) and an assistant (my wife).
I haven't done a lot of shooting with off-camera flash on location, so it's about time I did something for real. I need the practice, and my family is more than willing to help me out. I stuck the flash on the monopod and attached the umbrella to it, shooting through the umbrella the whole time, my wife holding it for me at various angles.
The flash strength was a bit of trial-and-error, but I finally got what I wanted. Now I'll just have to analyze the photos, read the book again and try once more. It's all a matter of practice, practice, practice. Without it, I'll fill up with rust.
My son loves acting, so he was more than willing to fool around in front of the camera for me. I will probably take him out to the train tracks again, to shoot some publicity style photos with him and his ukulele.
Here are a few pictures from the shoot. I had a tough time picking out the ones to show you - I guess it comes with being a camera-wielding dad.
Firefighters of View Royal
The summer has been quite busy - not with work, but with guests. We've been fortunate to have family over from Iceland, so I can't really say that I've been shooting a lot while they've been here. But still, a few weeks ago I did a shoot at my local fire station. I went there to shoot portraits of the firefighters, as well as some group photos.
I brought my studio lighting kit, placed them in front of one of the extremely shiny firetrucks - which was used as a backdrop - and photographed the firefighters with and without their gear.



















